Janek Koza is a cartoonist and comic artist from Poland. He has a column in Polityka, a major weekly magazine in Poland. He is also the author of 8 graphic novels. Check out his Instagram to see more of his work.
It's been a while since the last editorial as I've been swamped in projects this month. September is usually a busy time for Cartoon Movement, but this year we're even busier than usual. So I want to use this editorial to share some of the things we have been working on.
Our educational branch The Next Movement is going strong with projects in Lithuania, Cuba and Hungary, and a very exciting upcoming project in South Africa. We've been asked to help create a giant mural in downtown Johannesburg. The mural will be a political cartoon about the future of South Africa.
As with most of our educational projects, we're asking young people to come up with ideas and sketch these. Our cartoonists will pick the best ideas from South Africa's young generation and turn these into political cartoons. The next step is a first for us: to pick one of these cartoons and turn it into a mural.
Street artist Ras Silas Motse will create the amazing wall art, based on the cartoon we select. You can see an example of his work pictured above.
CM and TNM will be present in Johannesburg in the first week of November to help with the mural and to document the process. On November 10, the mural will be unveiled by none other than South Africa's best known cartoonist, Zapiro!
In the meantime, we've also been moving ahead with our comics journalism projects. We recently finished a 15-page comic on farming and new technology in Kenya, commissioned by the LSE Firoz Lalji Institute for Africa and drawn by renowned Kenyan comic artist Maddo. We share two pages below; the full comic will be published soon.
And that's just a part of what we're doing. We are planning the next phase of the Evergreen satire project. We'll have more news to share soon, but you can check out a video of the launch event here. And we're launching the second season of Cartoonist 2 Cartoonist, so tune in on Tuesday October 12 at 6.30pm CEST. And, as always with C2C, if you'd like a chance to get feedback on your cartoons, send them to us at firstname.lastname@example.org
Cartoon Movement editor
The European Press Prize and Studio Europa Maastricht have announced the name of the winner and runners-up of this year’s edition of the European Cartoon Award. With his work EU and Belarus published in the newspaper Trouw, the Dutch cartoonist Tom Janssen won the first prize. The two runners-up are another Dutch cartoonist, Hajo de Reijger, and the Turkish artist Musa Gumus - both published by Cartoon Movement.
The works of the winner and runners-up were selected from almost 300 submissions, coming from 28 countries, European and beyond, by a jury composed of award-winning cartoonists, previous year’s nominees, activists, and experts.
Janet Anderson, chair of the Panel of judges:
'Editorial Cartoonists have shown us again how they make powerful political commentaries with their drawings. 2020 was the year of the pandemic in Europe, and our shortlist selection and our prize-winner inevitably reflect much of the worldwide economic, social and political debates. But in our other top choices, we wanted as a jury to also reflect on the huge political story taking place in Belarus, and the political reality of how Europe engages with what is just over its borders, and to highlight the importance of the freedom of the media and the violent threats the press faces.'
The jury of the European Cartoon award 2021 was composed of: Anne Derenne (2020 winner), Janet Anderson, Khalid Albahi, Gian-Paolo Accardo, Paulo Jorge Fernandes. And, for the first round of selection, a jury composed of five previous year’s nominees: Mette Dreyer, Claudio Antonio Gomes, Costel Patrascan, Halit Kurtulmuş, and Tomás Serrano.
Andreas Antonos is a cartoonist and illustrator from Athens, Greece. He has been making editorial and medical illustrations since 2000 and for magazines, book publishers, advertisement agencies and creative studios. Check out his website to see more of his work.
We already have quite some cartoonists from Cuba active on Cartoon Movement, but we are always glad to welcome another one! The most recent Cuban to join us is Alejandro Fajardo.
On September 15, the Evergreen satire project was officially launched with an online event, live from the Beeld & Geluid Den Haag media museum in The Hague, The Netherlands.
Cartoon Movement editors Emanuele Del Rosso and Tjeerd Royaards talked with Jürgen Kaumkötter, director of the Center for Persecuted Arts in Solingen, Germany, Rob Phillips, Head of Archives and Manuscripts Section and the Welsh Political Archive at the National Library of Wales and Tjeerd de Boer, deputy editor at the Netherlands Institute for Sound and Vision.
Here is the full stream of the event:
Evergreen satire is a network of institutions that house historical cartoons or have have expert knowledge in the area of editorial cartoons.With this new network, we will explore ways to open up these archives and to present the cartoons therein in an engaging way to a general audience. In the launch event, we discuss cartoons made by cartoonists in Nazi Germany in the 1930s, and compare them to cartoons protesting repressive regimes today. And we take a look at how the Cold War and Vietnam war were portrayed in cartoons, and how cartoonists draw about current geopolitics and the recent withdrawal from Afghanistan.
The story of escaped Afghan cartoonist Hossein Rezaei.
Some details about Hossein's situation and family have been omitted from this article, for security reasons.
Hossein, based in Kabul, first contacted us in early August. As the Taliban advanced through the country, he was getting worried. He asked us to remove all his cartoons from Cartoon Movement, and deleted all his social media profiles. When the Taliban reached Kabul, and stories were spreading of how the Taliban were taking revenge on people who had worked with the Western world, Hossein began fearing for his life. He has worked with us on several international cartoon projects, drawing about human rights, freedom of expression and the dangers of extremism. If the Taliban found out he was a political cartoonist, working with a European platform, he would be in grave danger.
In addition, Hossein is from the Hazara minority, a group of people with a different religion, language and appearance than the majority of Afghan people. The Taliban has relentlessly persecuted this group, committing several mass murders during their previous reign.
We were able on get him on the evacuation list, because Dutch parliament decided that all people who were in danger because they worked with the Netherlands had the right to be evacuated. The Dutch Ministry of Foreign Affairs funded several of our cartoon projects, projects in which Hossein participated. So we were able to make a legitimate case; we were even more fortunate to get in touch with the crisis team almost immediately, who in turn responded rapidly. After several failed attempts to reach the airport, getting stuck in the thousands of people who crowded the roads to the airport, and losing his phone on on of these journeys, he got a message from the Dutch crisis team. If he could make is way to a specific spot at the airport, he could be evacuated.
As the situation in Kabul deteriorated, Hossein made the choice to try one more time. He took only some spare clothing and his digital tablet (for drawing). He got into a taxi, hoping to make it through the various Taliban checkpoints by pretending to be traveling elsewhere in the city. He was lucky. Even so, a journey that would normally take less than an hour, no took him over 8 hours. He was forced to go most of the way on foot; since he lost his phone, he had to use his drawing tablet to communicate with the crisis team . Both the large device and him talking in English made him stick out like a sore thumb. But he made it.
Now, Hossein is in a refugee camp in the east of the Netherlands, having left his house, car (just bought after years of saving) and his career behind in Kabul. We talked to him last week, asking him about his plans and how we can support him. Hossein still aims to pursue a PHD in archaeology, hoping that his dream to work in Bamiyan will be possible somewhere in the future, to help preserve the history of Afghanistan for future generations. That seems a long way off; on social media, he now sees photos of his former students in the streets of Kabul, dressed as Taliban and carrying guns.
In the meantime, he has taken up making cartoons again. 'I need to do something', Hossein says, 'I need to make a difference. We share some of his recent work here, made after his arrival in the Netherlands:
We will continue to support Hossein and his work. If you are interested in supporting him, by publishing his work, or in some other form, please contact us here.
Stefano Savoldelli, better known as Scescio, is an Italian cartoonist and lawyer. He has been publishing in Italian media for over 30 years.
Congratulations to Miguel Morales Madrigal who has won the UNESCO cartoon competition on global education. His winning cartoon asks important questions - What are your chances of choosing a good school if you come from a low income family? Do poor and rich people have the same possibilities? If you have the possibility to choose, what should you take into account so as to make a good decision?
For this week's editorial, there was really no other choice than to take a look at how cartoonists visualize the 20th anniversary of the September 11 attacks. As is often the case, we can identify a couple of categories of cartoons.
The first category is the tribute or memorial cartoon: cartoons that commemorate the tragedy of the attack, the loss of life and the emotional impact on New York City, America and the world.
Another perspective shows the consequences of the attacks, especially for the Middle East. Some cartoonists us the iconic image of the smoking twin towers to have something emerge from the smoke (like today's cartoon on our homepage).
Other cartoonists play with the shadow cast by the twin towers, turning this into guns, or jet fighters.
It’s interesting to see the difference here between international cartoonists and US cartoonists. Right after the attacks, it was almost impossible for US cartoonists to draw critically about 9/11 and the US response (there’s a chapter devoted to this in Red Lines, a book on censorship we recently reviewed). But even 20 years later, although a collection on The Cagle Post includes a lot of cartoons that question if America’s intervention in Iraq and Afghanistan was successful, there are very few US cartoons that lament the loss of lives (of non-US citizens) due to these military operations. Meanwhile, this cartoon by Dan Murphy draws a rather grim picture.
Another popular category of cartoons connect the 9/11 attack and the recent withdrawal from Afghanistan.
Several cartoonists have drawn the gruesome parallel of people jumping from the twin towers to escape the fires with people falling of the US military plane they had clung onto in a desperate attempt to escape Afghanistan.
Visit our newsroom for even more 9/11 cartoons.